Showing posts with label walking. Show all posts
Showing posts with label walking. Show all posts

Sunday, March 25, 2012

Sunday walk: Along the River to the Sea




For weeks, I have wanted to walk our river to the sea. Best Beloved and I planned it as a family outing last week but it didn't happen: this Sunday, nothing stood in my way. At just after eleven, Sophia and I loaded the two dogs and the Littles into the Land Rover and set out for the other side of the bridge.

The water level has fallen a lot since the dam overflowed two months ago, and soon only a chain of muddy pools will lead from spillway to the sea. Then those will parch under the summer sun, and the river will be just a memory for the next decade or so.






We couldn't follow the water. Mud, impenetrable thickets of weeds, and bulldozered channels and rises stood in our way, but we picked our way along a track under the motorway bridge until we found a clutch of bee hives tended by their white-suited keepers, then around the edge of a potato field, through a barnyard, deserted but for a couple of chained dogs, along an asphalt road bordered by olive and citrus groves and to an area of greenhouses where Vietnamese workers in conical hats picked peppers.


 Fly-tipped rubbish and river refuse blighted what would otherwise have been a beautiful walk, but flowers made everything bright, and the dogs dashed in and out of the fields searching for mud puddles and sniffing the exciting smells of spring countryside. Frogs serenaded us from the water below, and I wished that we could have found a way down so that I could have initiated my children into the delights of raising tadpoles.




After a burned out car and a wrecked BMW with a sloughed snakeskin on the driver's seat, the asphalt became a track that led us past other fields, the river on our left, to the sea. Neither dog had been to the beach before, and Sophia conned Lucky into swimming by tossing a rock into the waves. Once bitten, twice shy – she refused to go in again. Sputnik tried drinking it, but gave that up as a bad job with a dismayed expression on his face.





Despite not feeling well, Zenon enjoyed the walk. Normally he would have thrown himself into the spirit of our quest for a path to the sea, ranging on each side as a scout, hunting Orcs or other creatures, but a lingering cold made him more subdued. But “Can we do this again next week, Mum?” he asked as we reached the Land Rover on the way back. “I've had a really good time!”  Leo was more inclined to be negative, but I have the feeling that if I suggest another walk next Sunday, he will jump at the chance.

Wednesday, August 5, 2009

A Walk in Old Nicosia

Yesterday morning in Nicosia I took a walk that I haven’t taken for seventeen years. I left our Laiki Yitonia hotel and walked to Solomou Square, then back along Rigenous Street to Eleftheria Square, all the way down Ledra Street to the Green Line, then along the Buffer Zone to the Archbishopric. I didn’t have time to go all the way to Agios Kassianos, so I turned south and went back to the walls, then through the other side of Laiki Yitonia and back to the hotel.

I saw many changes and much unchanged.

Seventeen years ago, I would have seen very few African or Asian faces, but yesterday, Solomou Square was crowded with foreigners catching the early buses to work. Housing is cheap in the crowded streets of the old city, and many legal guest workers, asylum seekers, and illegals have taken over the old houses and neighbourhoods. Most Cypriot residents don’t have a problem with this – the newcomers tend to be quiet and keep their heads down to avoid trouble – and the multicultural presence breathes life into crumbling areas as well as ensuring that the manual work which Cypriots won’t do any more gets done.

Ledra Street is now pedestrianized. It had been the last time that I was here, but I hadn’t walked its length. The street is still dirty – bags of rubbish were piled in the corners, and dirty papers blew in the breeze – but retains a certain majesty. The old art deco sandstone buildings with their green louvered shutters still comprise the bulk of the buildings, but now, in place of the old signs above wooden doors, the old Greek and Armenian names, plate glass and plastic with the logos of Starbucks, McDonalds, KFC, Guess, Next, Debenhams, and Marks and Spencers give a distinctly ‘High Street, Anytown, UK’ feeling to the place. “We’ve seen off a lot on invaders,” Best Beloved shrugged when I told him of my disappointment. “We’ll see this lot off, too…”

Outside the commercial streets, a few locals were up and about – sipping coffee, reading newspapers, and flipping their worry beads – an early morning male ritual while wives sweep dooryards and air bedding. I approached a group of them on a quiet street near the metalworkers’ alley to ask if Artin Baltayan, an Armenian coppersmith on whom I had written a Sunjet article twenty years ago was still around. One of them told me that he had died, but when I asked if anyone else was still working who could repair an antique brass Turkish jug, they shook their heads noncommittally and went back to their coffee, papers, and beads.

I put their lack of interest down to their being jaded by tourists – now that the Ledra Street crossing is open, outsiders disturb the calm of quiet neighbourhoods – but when I described the conversation to Best Beloved later, he said that they were probably Armenians. “Cypriots, Turkish- or Greek-, would have invited you for coffee, asked where you were from and never, ever, corrected the way that you spoke!” he said. “They would have probably commandeered a workshop and offered to fix the jug there and then!” Armenians, it seems, are more reserved.

The police woman at the checkpoint nodded in response to my ‘Kalimera’, as did the young Guardsman coming off line duty and edging through the open door through which I glimpsed two rows of tightly-made iron bunks. In the furniture makers’ area, an old man working in a cavernous arcaded room that I thought might be an ancient inn because of its double arcade of arches, said that he thought instead it had been a wine storehouse. “When all these planks and boards are cleared away,” he gestured at the dusty piles around him. “You can see pits and spaces where there were big storage tanks. When I took over the building, they told me that it had probably been a warehouse for wine or oil.”

Despite the new crossing into the Turkish side at Ledra Street, the Green Line looks the same. The sand bags and concrete-filled barrels suddenly block an north-south artery, the reinforced firing positions still rear up against the sides of unoccupied buildings. Soldiers still lean out of windows and loiter on balconies.

Workshops and warehouses gave way to residential neighbourhoods, and through doors ajar I caught snippets of lives – a newspaper folded beside a radio that played softly on a shelf; an old sofa on the corner of a rag-rug; the scent of early coffee; water gurgling through taps.

As ever, among the occupied buildings were tumbling walls of mudbrick and stone, old doorways and fan-lights. Sometimes a sheered-off wall showed the internal structure of a former room: a bricked up arch or window, a fireplace, the start of a rotting staircase. I peered through the broken glass and wrought iron of one doorway into the hall. Under mounds of rubbish, the encaustic tiles showed: dust-dull now, but a splash of water would show their rich terracotta and mustard tones. But no-one had splashed them for thirty years, and probably no-one would again: the fate of those lovely tiles will be a landfill some time in the future when this part of the city is ‘renovated’.

The old yards were full of vehicles – some abandoned, some merely parked, concrete mixers, bags of cement. But the old trees still stood – two or three stately palms leaning over the cistern, a mulberry in the corner, olives and citrus, still cherished and harvested for their oil and fruit.

A shock of concrete and steel beside the old Municipal market was a restaurant, it’s plate-glass walls revealing red and black fabric-covered chairs drawn up to tables set neatly for two with a profusion of cutlery, water- and wine glasses. The nearby archaeological site seemed to have made no progress since I saw it last, as I drove past five years ago: the same group of men gossiping in the shade while the red cement mixer turned. The pits were the same depth, the ancient walls the same height, the same green matting flapped on the chain-link fence.

Time was running out, so I headed back to the walls, and threaded my way through the alleys of Laiki Yitonia towards breakfast at the hotel. The touts beckoned me into restaurants for coffee, the sellers of Chinese tat smiled without using their eyes, the street sweeper winked and gave me a friendly wave. Nicosia yawned, stretched, and prepared for another August day.

Friday, January 23, 2009

Nothing Happens by Accident

Serendipidy... synchronicity... I found them this morning in a wonderful clash of coincidences that make me understand, yet again, that nothing happens by chance.

I have finished Amira Hass's remarkable book Drinking the Sea at Gaza, and moved on to something that I picked up on the way home from a UK writers' workshop last November – Raja Shehadeh's Palestinian Walks. The author's name rang a bell there, among the stacks and bright lights of Gatwick's departures terminal. Twenty years ago his Samed: Journal of a West Bank Palestinian had opened my eyes to the realities of the Occupation, and when I had been in Jerusalem I had tried to find him but met only blank looks. It had been the height of the First Intifada and perhaps I was asking the wrong people.

So last night, Shehadeh mesmerised me again – this time with the intricate descriptions of his native hills and the way that he weaves observation with commentary with culture with history – that of his family and that of his people. This morning, after doing the housework, I Googled him.

The third hit brought me to a blog on walking – a particular passion of mine (I cherish a dream of future long-distance walks). Linda Cracknell's 'Walking and Writing' details her reflections during a major project of 'recounting walks which follow human resonances in wild landscapes' and on January 11 of last year, she discussed the bittersweet quality of Shehadeh's work and the links – that most of us take for granted – of walking the land, belonging to it, and its belonging to us.

Her words struck a spark and I followed links to her main blog. Joy! Another discovery. Blogging can be beautiful. In an October 2008 entry, she writes about the Wigtown Book Festival and her enjoyment of Sara Maitland's A Book of Silence. And there, on the right … another link 'How did I get here?' I feel like a dog, released from a house-bound day, running on wild land – dashing, darting, nose down, tail waving... Which links do I follow? What shall I read first?

I worked my way through them slowly, blessing Friday mornings when Best Beloved does the school run and I have more time in the mornings. Sara Maitland's book looked too wonderful to miss – so I went to Amazon and ordered it. And in a fit of extravagance also ordered Notes From Walnut Tree Farm by Roger Deakin.

Back on Linda Cracknell's main page, I clicked on 'How Did I Get Here?' and it took me to the literaturetraining site. What a feast! I read about how a number of writers became writers, then passed on to one of their links – the National Association of Writers in Education which, as its name suggests, supports 'the development of creative writing of all genres and in all education and community settings throughout the UK'. I had to join. I had seen one of their brochures when I was at the UK workshop, and had thought that it looked good. Their website explodes with creative possibilities – for students, for teachers, for writers, for anyone interested in using writing in education.

Linda's 'How Did I Get Here?' PDF finished with a list of addresses. One of them was for the
Open College of the Arts which offers tutored on-line courses for beginners and advanced writers. I clicked on their link, and then on the course that most interested me, I-Lines. Its course material is written by Sara Maitland, whose book I have just ordered...

So from enjoying Raja Shehadeh's rambles in the hills above Ramallah, I have come on a full, thrilling circle myself to the point of considering committing to a year's course that might get me out of the frozen-feeling rut that I'm in with writing. What a marvellous way to spend Friday!